Primal Play

How to

by Divine Theratrix

“…I was quite doubtful about experimenting with “primal” play before our first session. I had read on your website that it is something you recommend and enjoy, but the word “primal” I associated with “animalistic” and so I wondered how could this be appropriate in a bdsm encounter. Surely, I said to myself, animals satisfy their appetites without self-restraint, without concern for the boundaries of other animals, without seeking “consent.” OK, I thought, one could role-play pet owner and puppy, or even predator and prey, but the domme wouldn’t be able to enter into predatory behaviour fully, without risk to the submissive’s boundaries. And if the submissive gave way to “primal” urges, I worried, he might reach out for physical or sexual contact with the domme that would likewise cross her red lines.”

The above extract is feedback from one of my former clients.

Primal is my favourite kink to play with. Before I honed my professional BDSM practice to focus on transformational rituals, my favourite way of establishing a power dynamic with a new submissive client was by immersing them in a state of primal consciousness.

In this article I want to explore with you what primal play is to me and why I like it so much. To do that, I am first going to talk about those wonderful biocomputers that humans possess – our brains.

Photo from TG Animal Love Valentine’s Ball by Regis

We are the pioneers in the evolution of human consciousness. It was only about 10,000 years ago that our ancestors built the first cities. As civilization grew, survival no longer depended on the instant fight or flight of the wilderness. Survival and happiness now depend on tuning in to the overall situation involving ourselves, the people around us, and the total environment of the here and now. Perceptiveness, wisdom, and oneness are now the ingredients of effective and happy living. But our biocomputers are still programmed for wilderness fight or flight — for a fast release of adrenalin into the blood stream, and for rapid heartbeat — for automatic anger and fear. In our social interactions, our consciousness magnifies molehills and makes them into mountains — and this constant distortion destroys our energy, our insight, and our ability to love. Thus survival in the wilderness meant that we had to be programmed for instant paranoia — instant fear — instant anger — instant perception of duality. Survival in our world today means that we must have instant perceptions of oneness — of love — of compassion with everyone and understanding of everything around us. When we learn to cut through our paranoid wilderness programming, we are on our way to higher consciousness and happiness.

Humans have 3 brains: the reptile brain; the mammalian brain (limbic system); and the neo-cortex, or cognitive brain. The reptile brain is the part that forms first and is the oldest part of our brain in terms of how we have evolved into the human animals that we are today. The reptile brain deals with our wilderness survival instincts and primal drives. It is a very deep and ancient part of us. It is a lower (but not lesser) level of consciousness than our mammalian brain that deals with emotions. Most of the time, humans tend to be in their neo cortex trying to solve day to day issues by thinking about them. We are very much in our heads. Indeed, our heads seem to get in the way of peace. Our heads create worry.

Animals do not worry, because they live through their primal consciousness, following their instincts.

In my experience, it is incredibly liberating to drop into primal consciousness. In a primal state, a human animal can experience themselves as a sensory being, expressing the raw data of emotions and sensations without the filter of language. A human animal in their primal state does not think about what they should be doing or what is expected of them. The primal state exists without the complicated narratives that the neo cortex wants to impose on reality.

@chasingthetigers

Here is another extract from my client’s feedback (this was pre-COVID when I could still bite without worrying about virus transmission, and my professional boundaries have since shifted anyway):

After gently welcoming me into the dungeon space, in my totally naked state, you helped me to shake out any tension in my body that I had brought in from the outside world. As the session developed, you had me raise my arms and you secured my wrists with leather cuffs to a sort of spreader bar on chains hanging down from the ceiling. You then fitted a soft leather blindfold over my eyes, and I became aware of you beginning to softly prowl around my body, back and front, sometimes playfully stroking or even lightly scratching at my skin. The sensations were delightful! Gradually your movements became stronger, fiercer, you grasped at the muscles of my legs, and I was conscious that you seemed to be snarling close to my ears, and a couple of times I felt you lightly biting here and there, on my arms and shoulders. I began to respond, spontaneously and rather to my surprise, by snarling back at you, snapping my jaws as if to bite back at you playfully, but of course I could not see or know exactly where you were, so you were in no danger from my teeth. I felt very conscious of your feline, feminine power, here was a big cat, a Mother Jaguar as I think you put it, prowling around her cub fiercely but protectively.

Are you getting a feel for it now? It is a difficult thing for me to explain with my clever human neo cortex. Primal play must be experienced. Here is another extract from my client’s feedback:

Then at some point you attached clamps to my nipples and the rush of pleasurable pain somehow seemed to make me feel fiercer and stronger, and I began to snarl and lunge at you (still safely and nimbly out of reach) in a less cub-like way, and more like a big male cat, seeking its mate. More and more I felt the strength of my own body, and felt surprisingly free to show it, and uninhibited in my (albeit limited) movements. I felt free from the fear of hurting you with my aggression, with my animal lust, and unashamed to be showing it. This was a very unfamiliar feeling for me, and very liberating. Usually for me, in my submissive role in a bdsm scenario, my masculinity is sort of sublimated, my heterosexual lust is not expressed, its expression is (consensually) denied. So it was quite amazing to me to be led by you in a different direction, whilst still restrained by cuffs and chains, blindfolded and clamped. I really found myself letting go and entering into a euphoric state of spontaneous movement and vocalization. I had encountered aspects of my animal self that I would not otherwise have dared to express. Thank you Mother Jaguar!

 

Caged Leopard Gogo. Photo by Mark Bennett

 

The ultimate goal for me as the Top in a primal play scene, is for the Bottom to let themselves go so much that they lose any self-conscious feelings that would usually block their ‘voice’. Have you ever let yourself express your emotions in sounds that are purely animal? Growls, yips, snaps, whimpers and so on. Humans keep a lot of their emotions inside and what happens is that the emotions get trapped in the limbic system to circle around until they are finally expressed. Primal play can be an effective way of releasing pent-up emotions without any thought involved. If you’ve read or listened to any of Peter Levine’s teachings on healing traumas, you’ll understand how primal sound and movement could be utilised as vehicles for can be releasing traumatic shock from the body. The freedom and permission given are all that is needed for this process to happen very naturally. I unleash my own primal self on my Bottom and their primal self cannot resist responding in kind. This is the dance of Predator and Prey/Big and Small that I relish.

Never forget that even with your thinking brain, language and clever fingers, you are still an animal! Animals do not like to be kept in cages for long. When was the last time you let your animal out?

In peace, love and kink,

DT xx

Divine Theratrix is a conscious kink and sex educator who has been attending Torture Garden for many years. She believes that the human body is art, and loves to teach people how to make art, with their art. You can find out more info here: https://divinetheratrix.com/

Comments

Upcoming Events

16
Nov
TG Edinburgh – November Ball 2

16 Nov

The Caves

More info
SOLD OUT
07
Dec
Winter Wonderland

07 Dec

Scala

More from TG

News
Welcome to the Torture Garden Blog!!

News

Stories
Foot Fetishism – The Ultimate Guide

Stories

Best of TG
Torture Garden Berlin Video!

Best of TG

Stories
Freedom in Being Restricted

Stories

How to
Torture Garden Dresscode

How to

Stories
Fetish Fine Art by Guy UsinU

Stories

Stories
My First Ever Torture Garden

Stories

TG Top 10
Fetish Oscars

TG Top 10

How to
Kink in Quarantine

How to

Stories
Sanctuary Lost

Stories

How to
M2F Crossdressing at TG – A Beginner’s Guide (Pt 1)

How to

How to
M2F Crossdressing at TG – A Beginner’s Guide (Pt 2)

How to

How to
Medical Fetish: Needle Play

How to

How to
Sex Worker Safety

How to

How to
The Art of a D/s Relationship

How to

Best of TG
Torture Garden Italy

Best of TG

Best of TG
30 Years of Torture Garden

Best of TG

How to
Making new connections in the sea of creatures

How to

Best of TG
Best of TG Designers & Fashion Shows

Best of TG

How to
Does visiting a dominatrix count as cheating?

How to

Stories
InkyLayla – Fetish Life Drawing

Stories

How to
Torture Garden Los Angeles

How to

How to
How to Broach BDSM with your Partner 

How to

How to
Fetish: A story masquerading as an object.

How to

How to
Medical Fetish – A Beginners Guide to Sounding

How to

How to
What to Expect at The Pearl Necklace

How to

Stories
Latex Art: Michelle Mildenhall

Stories

How to
Fetish Club Etiquette

How to

Best of TG
Torture Garden Japan

Best of TG

How to
Taking Your First Steps into BDSM

How to

How to
Primal Play

How to

Best of TG
Interview: Ada Zanditon

Best of TG

How to
What I Wore to Torture Garden

How to

Stories
Interview: Venus Raven

Stories

How to
Beginners Guide to: Collaring

How to

How to
Interview: Luca Federici

How to

How to
Fetish: Consensual Abduction Play

How to

How to
BDSM A-Z Part 1

How to

How to
BDSM A-Z Part 2

How to

How to
Aftercare

How to

How to
The First-Timers Guide to Male Chastity

How to

How to
Glory Holes

How to

News
Paul Soso’s posthumous exhibition, Masks

News

How to
Pet Play

How to

How to
The Cost of Censorship

How to

Best of TG
Torture Garden Edinburgh

Best of TG

Stories
TG Winter Wonderland

Stories

How to
How to Top Your Partner

How to

Stories
Interview: TG Krampus, Jordan

Stories

How to
Orgasmic Ways – BDSM Sex Games

How to

Stories
Lockdown Libido

Stories

How to
A Beginners Guide to Spanking

How to

How to
Agalmatophilia; Statue Sexuality and Doll Desire

How to

Stories
Interview: Mistress Kiana

Stories

Stories
Electric Erotica

Stories

Stories
Encounter with Jane Grey: what to expect in a pro-domme session

Stories

How to
Permission Please

How to

How to
Olfactophilia: The Scent of Sex

How to

How to
VIP Subspace Indulgence with Goddess Cleo

How to

How to
Face Slapping

How to

How to
Interview: Amy – Aimless Gallery Latex

How to

How to
Fetish Fashion 101

How to

How to
Knismolagnia; Tickled Pink

How to

How to
Safety in BDSM & Kink Play

How to

How to
Dungeon Etiquette

How to

How to
Torture Garden Etiquette

How to

News
Fetishisation Isn’t Appreciation: Navigating Black Identity in the Kink Scene

News